Photography After Conceptual Art (Art History Special Issues)

Photography After Conceptual Art presents a series of original essays that address substantive theoretical, historical, and aesthetic issues raised by post-1960s photography as a mainstream artistic medium  Selected by Choice as an Outstanding Academic Title for 2011Appeals to people interested in artist’s use of photography and in contemporary art   Tracks the efflorescence of photography as […]

Photography After Conceptual Art presents a series of original essays that address substantive theoretical, historical, and aesthetic issues raised by post-1960s photography as a mainstream artistic medium  Selected by Choice as an Outstanding Academic Title for 2011Appeals to people interested in artist’s use of photography and in contemporary art   Tracks the efflorescence of photography as one of the most important mediums for contemporary art  Explores the relation between recent art, theory and aesthetics, for which photography serves as an important test case  Includes a number of the essays with previously unpublished photographs Artists discussed include Ed Ruscha, Bernd and Hilla Becher, Douglas Huebler, Mel Bochner, Sherrie Levine, Roni Horn, Thomas Demand, and Jeff Wall

Conceptual & Minimalist

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